-DISCONTINUED- CCP: Cineplus Cinema Plugin

The Professional "Digital to Film" Look converter | 12 primary and secondary tools in one smart plugin

As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail.

Platforms:: Adobe Premiere Pro + AE Mac+Win

Get Started

1 minute Tutorial
Enjoy the ultra simple workflow

In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste

Footage:: Works with almost any footage.
Resolutions:: No resolution or codec restrictions

CCP Features

Film Saturation

It's all about color richness

Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Image courtesy of Mario Epsley

Teal-Orange

The Kodak Vision 2 look

We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. Image courtesy of Conor Gomez

ReSkin

The Skin Tones make the difference

Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Image courtesy of Tobias Fonsmark

Safe Gain

More light without clipping.

High-key a' la carte without overexposing. Highly professional tool for the serious Colorists. Image courtesy of a + b = c

Safe Contrast

Save the Latitude!

You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of John Brawley

Highlights Recovery

Even 18 stops could not be enough..

Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image courtesy of Jack Sutter

Safe White Balance

Less is more.

The subtractive white balance will preserve highlights and blacks from being crushed. Image courtesy of Conor Gomez

Black Lift

The projector's light

Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Image courtesy of Kei Takahashi

Celluloid

The time machine

Celluloid is there to add some age to the emulsion, Handle with care! Image courtesy of Jason Xinzhou

Cineplus Cinema Plugin. Get It Now

Launch Offer: $ 29 instead of $ 59

CCP for Adobe Premiere Pro and AE, Mac + Win, 64 + 32 bit

The Cineplus Cinema Picture Style is a native Adobe plugin. About copy protection: everything is piratable. We decided a fair play. We make a really fair price, and ask you to be fair and avoid piracy.